Captain Jack Harkness (
quitehomoerotic) wrote2009-04-24 01:52 am
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Entry tags:
RP for
mrsharker
It's early evening and in the half light the Bay has a comfortable quiet. Jack sent the team off to have a little social time. They've all worked so hard lately and they could do with it. He went for a walk, somewhere with a high roof and a vantage point for him to look over the city.
He's back on his way home now, taking a slow stroll down Lloyd George Avenue and back towards Butetown and the Bay. Outside the Millennium centre are couples and people milling around, all preparing for an evening of entertainment. It makes Jack smile as he seems them all, all safe in this city he loves so much.
On his way across the Plass he takes a slight de-tour to one of the poster boards, to take a look at just what these people are waiting to see. The sight before him though is not one he expects, and one he's far from prepared for.
The face is familiar, oh so familiar, and his breath gets caught in his chest, taking him a moment or two to realise he isn't breathing at all.
"It can't be," he whispers, but there's nobody there to listen.
Jack's eyes are swimming and he's glued to the spot. This can't be right, he's sure this can't be right. Just an odd co-incidence. Someone who happens to look similar. It has to be. It can't be her.
But it doesn't hurt to make sure. So instead of back to the Hub, Jack heads into the Millennium center and with the aid of the word 'Torchwood', he goes backstage.
He's back on his way home now, taking a slow stroll down Lloyd George Avenue and back towards Butetown and the Bay. Outside the Millennium centre are couples and people milling around, all preparing for an evening of entertainment. It makes Jack smile as he seems them all, all safe in this city he loves so much.
On his way across the Plass he takes a slight de-tour to one of the poster boards, to take a look at just what these people are waiting to see. The sight before him though is not one he expects, and one he's far from prepared for.
The face is familiar, oh so familiar, and his breath gets caught in his chest, taking him a moment or two to realise he isn't breathing at all.
"It can't be," he whispers, but there's nobody there to listen.
Jack's eyes are swimming and he's glued to the spot. This can't be right, he's sure this can't be right. Just an odd co-incidence. Someone who happens to look similar. It has to be. It can't be her.
But it doesn't hurt to make sure. So instead of back to the Hub, Jack heads into the Millennium center and with the aid of the word 'Torchwood', he goes backstage.
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"You know what I'm talking about. Don't push me, Mina. I'm not the man you knew and I won't just sit and take it. I'd rather leave than hear it."
He takes a step forward again, inches from her face. "So stop it."
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"I shouldn't have mentioned Vlad?" Faux-innocence, and the touch of intimacy. She's never used the vampire's first name to Jona-- Jack's face before. It's only been in recent years when referring to 'Dracula' seemed awfully camp that she's adopted that form of address.
One hand, almost as though it were an unconscious movement (it's not: she wants to see his reaction), cups and rubs the side of her neck, blatant in its implications.
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His anger takes over and his hand reach for both her wrists, gripping them with a tight control as he pushes her back until she hits the wall. There's fire in his eyes as he stares at her.
"I don't want to hear it, Mina." His voice sounds almost animalistic. Full of rage and heat. "Stop trying to taunt me."
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"Why?" she asks. "Why would I stop when the reaction is so good?"
She thinks she can smell the return of his arousal under the fury, the possessiveness and it just makes her grin.
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"You think this is good?" He growls, even more angered by the insinuation. His grip on her wrists tighten and he pushes them back, practically pinned to the wall.
"You won't break me."
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Mina draws in her breath in a grinning open-mouthed half-gasp, enthralled by this side of him. Good? Yes: this is very, very good.
"Is that what you want, love? Do you want to hurt me?"
This new side of him truly thrills her.
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"No. Mina. No I don't want to hurt you. I never would." He smirks, he knows just what she's doing. He leans in, whispers right into her ear. "But I think you want me to try. You'd like that, wouldn't you? Don't test me, Mina."
His grip tightens once again and he pushes her hands against the wall.
"Don't."
He lets go of her now and takes a step back, shaking his head. He's still on edge, still ready to explode. He doesn't want to find out what he'd do if he did.
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Her entire being is on edge: what's genuinely 'nice', if that word can be used so inappropriately, is that it seems to be mutual. His nerves look to be jangling, too.
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His voice turns south. A sultry almost evil sounding whisper. "So what do you want, Mina Harker? What are you trying to get from me?"
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It's intoxicating to keep herself poised on the very edge of her extremely precarious control like this -- to take whatever he's throwing at her and not retaliate, not because she can't but because she chooses not to. Because she chooses to watch him take the reins. Because he's her husband, and she was always a good wife, loving and tender and submissive to his will.
"Could you, really?" she smiles, realising that she has no answer for his question and isn't ready to give him her silence just yet.
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He tests her just a little, his thumb pressing down against her throat, just slightly. Not enough to hurt, but enough to be felt. He can feel her blood racing underneath, and that too spurs him on. She likes this, he thinks. She's enjoying it. And maybe, maybe he can admit that he is too.
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Yes, she absolutely likes this side of him. She likes the danger. And on some level, she likes the fact that he might just be able to handle her vampire side.
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But he doesn't want to, not to her. Not unless it's completely necessary.
"Push me all you like," he grits out. "But I'll never hurt you. Never."
The hand on her stomach rises though. A move that's utterly sexual. Follows the line of the corsetry beneath, coming to rest over her breast, just holding there. The other hand still poised on her neck.
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She arches into his touch, though, feline and sensuous.
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"If I need to stop you, then I'll be here to do that. But until then I'm not harming a hair on your head." His voice softens too, matches the tone in hers.
And then an almost warning. "Just trust me. I could."
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"Do you promise?" Mina murmurs, and finally lowers her hands from the position he'd held them pinned before. She strokes her fingertips across his cheek.
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And gently. "I'll protect you from yourself. When I have to. Not until then."
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She doesn't expect that. Doesn't really know how to handle it: she's been alone a long time now. But it's good to know that there's someone out there who might be capable of stopping her forcibly if she required stopping.
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"Just me and you here, okay?" He whispers. Ever so gently referencing he pre-mentioned lover. "We deserve tonight."
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"I -- I apologize for my earlier behavior. It was uncalled for."
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He shifts over with her, reaching for her hand, shaking his head as he sits.
"Don't. I prompted it. If anything it's my fault for asking you to see me. I shouldn't have reacted to it. But I did. There's no blame here."
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It doesn't stop her from clasping his hand in her own, or from leaning against him. She's feeling every one of her one hundred and fifty years.
"How old are you?" Mina asks, seemingly from nowhere.
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